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08:24 Minutos
(Études déxecution trascendante) Considered musically one of the most difficult of the 12 etudes, Mazeppa imposes some extremely demanding technical difficulties as well. It requires a complete familiarity with the piano, as it contains a lot of very fast and wide jumps and octaves, and is usually only attempted by advanced players. CV (english) The 19 years old Spanish musician Félix González-Ardanaz, began his musical upbringing in La Rioja at the "Professional School of Music", finalizing bachelor at sciences and the Professional Degree of Music at the age of 17, and with the best qualifications, under the trusteeship of Begoña Axpe Basarrete and Elvira Guarás. From an early age, he has performed in its community many times, as chamber music performer and as soloist. He has taken part in several courses in the field of piano and conducting, as active student and as soloist. That was in the context of the Fifth International Summer Course "New Musical Generation" in Segovia; of the "Third International Forum of Music City of Toledo", and of the "50th International Summer Academy of Nice". He has also participated actively in the courses which usually take place in the Musikeon Academy, in Valencia, in charge of the Italian musician Luca Chiantore, and in those of the Eutherpe Foundation in Leon. He has received classes by spanish pianists of the stature of Guillermo González, Josep Colom... and Solomon Mikowsky, Brigitte Engerer, Jean-François Heisser and Michel Béroff ...
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09:52 Minutos
Spanish young pianist Félix Ardanaz performs "Corpus Chirstie in Seville", the most difficult piece of Iberia. Compare it with Alicia de Larrocha s version.
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05:49 Minutos
Félix Ardanaz, a 18 years old pianist, played this well-known study of Claude Debussy. Musikene, Gustavo Díaz Jerez pupill
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10:31 Minutos
Thr favourite Sonata of Beethoven, played by the young spanish pianist of 18 years Félix González Ardanaz, pupil of Gustavo Díaz Jerez in San Sebastián, the Vasque Country.
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06:56 Minutos
Ondine, an oneiric tale of a water fairy singing to seduce the observer and accompany her to visit her kingdom deep at the bottom of the lake in the triangle of water, fire and earth. This piece contains technical problems for the right hand, like wild cadenza figures, chordal motifs, and chromatic notes and thirds. CV (english) The 19 years old Spanish musician Félix González-Ardanaz, began his musical upbringing in La Rioja at the "Professional School of Music", finalizing bachelor at sciences and the Professional Degree of Music at the age of 17, and with the best qualifications, under the trusteeship of Begoña Axpe Basarrete and Elvira Guarás. From an early age, he has performed in its community many times, as chamber music performer and as soloist. He has taken part in several courses in the field of piano and conducting, as active student and as soloist. That was in the context of the Fifth International Summer Course "New Musical Generation" in Segovia; of the "Third International Forum of Music City of Toledo", and of the "50th International Summer Academy of Nice". He has also participated actively in the courses which usually take place in the Musikeon Academy, in Valencia, in charge of the Italian musician Luca Chiantore, and in those of the Eutherpe Foundation in Leon. He has received classes by spanish pianists of the stature of Guillermo González, Josep Colom... and Solomon Mikowsky, Brigitte Engerer, Jean-François Heisser and Michel Béroff in the ...
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02:33 Minutos
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04:12 Minutos
Premio ENTREACTORES.COM Actor Revelación XX Festival de Aguilar de Campoo 2008 Web actor: www.entreactores.com REPRESENTANTE: Manuel Bosch tel: (+34) 609 292 288 mail: kayredo@yahoo.es
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04:14 Minutos
Tema instrumental grabado con el guitarport y con la pista de acompañamiento (backing track) de Neil Zaza.Parte original,parte improvisada.
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04:03 Minutos
ERREGEA eta BUFOIA, Atarrabian
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35 Segundos
Maqueta proyecto arquitectónico escultórico ganador de la Bienal de Montevideo en 1957. Jorge Oteiza, Roberto Puig, monumento a Batlle 1959. Un proyecto que nunca llego a ejecutarse. En 1958 y 1959 Oteiza da por concluida su experimentación en el terreno de la escultura y lo plasma por escrito en La ley de los cambios: en su camino de investigación había partido de unidades geométricas elementales y, con esta ley, terminaba el proceso en una desocupación espacial. En 1960, Oteiza escribe El arte contemporáneo ha terminado. Como todo lo que comienza verdaderamente, tiene verdaderamente un fin. Me refiero estéticamente. Como teoría y experimentación. Todo ello completado, superado, por la propia intención del artista al crear, que pretende que su trabajo sea una invitación a la reflexión más que a la contemplación. Fundación Museo Jorge Oteiza. Alzuza Navarra. Maqueta realizada en conmemoracion al centenario de su nacimiento, realizada con los materiales y técnicas apropiadas de su epoca en versión y recreación a maqueta desaparecida del mismo proyecto en el que solo quedan algunas fotografias y fotomontajes. Proyecto enigmatico sustancial de la cultura contemporanea y actual. Mas información. www.maquetasederlan.com Maquette Model sculpture architecturale Biennale de Montevideo en 1957. Jorge Oteiza, Roberto Puig, Battle Monument, 1959. Un projet qui na jamais été mis en ?uvre. En 1958 et 1959, Oteiza mettre fin à son expérimentation dans le domaine de la sculpture et la ...
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